AI news

Marketing is becoming more and more manipulative. Artificial intelligence (AI) and machine learning are used to create convincing, true-to-life synthetic replicas that are nearly impossible to spot. Deepfake advertising is here. "Preparing for an Era of Deepfakes and AI-Generated Ads: A Framework for Understanding Responses to Manipulated Advertising"

Northern Illinois University and Argonne National Laboratory collaborated to host a camp introducing students to artificial intelligence. It will not be long before AI competency becomes a required skill for the workforce. Researchers are considering how middle school and high school students might be introduced to artificial intelligence through a

There is no doubt that hands-on exhibits are a staple of science and children's museums around the world and that kids love them. Through the exhibits, children are invited to explore scientific concepts in a fun and interactive manner. But do they actually teach kids anything? Children need

Taking a physics-based approach to how humans perceive the world, Kavita Bala has developed a new generation of artificial intelligence systems. Human perception is likely overlooked when it comes to computers. After all, what does the logic of a computer have to do with our sensory abilities and brain processes?

Various connected devices, such as Internet-of-things (IoT) devices and automobile sensors, rely on microcontrollers - miniature computers that can execute simple commands. However, microcontrollers with limited memory and no operating system make it challenging to train artificial intelligence models on edge devices independent of central computing resources due to their

In the ever-evolving world of music production, AI generative tools are rapidly gaining prominence, offering a transformative approach to creating captivating soundscapes. These tools empower musicians, composers, and even novices to generate original melodies, harmonies, and rhythms with unparalleled ease and creativity. Let's delve into the top three